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A Public Transportation Tour of the Northwest

Ever wondered if you could travel in America without a car? Most people wouldn’t think it were possible, but we traveled from Seattle to Victoria BC via Port Townsend and Port Angeles with nothing more than our feet, buses, and regular ferries. Initially we thought of taking our tandem bicycle along, which would have added a few complications we weren’t ready to encounter. If you’re going solo with a bicycle, most buses and all ferries could take you when you need a push. We started from San Jose, taking Amtrak’s Coast Starlight to Seattle, a 24-hour journey through Northern California, Oregon, and Washington State. The purpose of going on a trip is to slow down, and avoiding the hustle and bustle of airports was just refreshing. We took a roomette, which in Amtrak’s world is the equivalent of Business Class, providing us with a small compartment where the seats transform into bunk beds, complete with sheets and pillows, made by our attendant when we asked. Right before departure time, I ran to a grocery store …

Writing the First Draft

For the past two weeks, I’ve been writing assiduously on a new Clairefontaine notebook with a fountain pen.  I do get hand cramps after a couple of hours, but the process is exciting.  Every morning, I seem to look forward to learning what my characters are going to do next, how they’ll proceed with what life throws at them.  Here’s a transcription of a paragraph, just to prove it exists.  It really is a first draft, which plows through the story and defines the characters, the scenes, what happen to them, their history, and where they’re going to end up.  A second draft will probably be entirely new. “… That’s him on the photos there,” he said, designating the photos on the wall behind the computer. “You guys were cute,” said Marc. “Yeah,” Peter said, thinking of the past tense in “were cute.”  He paused in his work, his hands supporting him on the table, looking at the back of the frame, having one of his moments, as he called it.  At the beginning, those …

Even though I have a boyfriend — a draft

Exploring ideas and directions for the novel project… “Even though I have a boyfriend,” he said, “you can kiss me now.” The invitation, as strange, dangerous, and illicit as it sounded, could only be accepted.  I acknowledged it first by a discreet kiss on the cheek, on his left side, my right side.  Our arms soon followed, and like an airplane on its approach to landing, my nose guided my lips to that mysteriously sensitive area under the ear, where they dwelled for a while, tickling the thin layer of skin, muscle, and nerve.  With an unconscious decision to move on, again led by a nose excited by the softness of a fair skin on which only the suggestion of a beard manifested a pleasant resistance, the lips found each other and locked in.  It felt as if they had been measured for each other. “Oh, if only…” my head started to reason, raising the alarm that the moment was about to end.  I tried to ignore it, tried to think of a mantra as …

A Work of Art

I’ve started working on this project again, after nearly two years.  I think my attitude towards it has changed, and I’m more comfortable with it.  One important detail is that I got excited reading the drafts, posing the hard question: which draft will I take, or should I just rewrite these anyway?  How do I deal with the complexity of a novel, writing chapters not in order, filling blank chapters that I may not be as excited about as others… So today I decided to turn off the Internet and the phone (that was easy, if you know my aversion to the phone), and work. Here’s an excerpt, just a paragraph really.  The story is about a painting of a young man after an encounter, and how the painter falls in love with his art and his subject. He woke up at ten past ten, the hands of his alarm clock spread in panic. He had to open his shop at eleven, and he was sure there would be a customer waiting at the door …

R.I.P. Ardavan Davaran

One of my favorite teachers, Ardavan Davaran, died this week. I had seen him one day this year on my way to the grocery store, and I remember thinking I’d wave at him had he not been deeply engaged in conversation at the restaurant where he sat. Had I been him, I would have simply walked through the low bushes separating me from the restaurant window, and knocked with a big grin. He was my first teacher in the M.A. program at NDNU, where I showed up completely unsure of my abilities. After all, I spoke English with an accent, the excuse I proffered when he asked me to read a poem in class. “I’m an English professor with an accent,” he told me. I read, and he congratulated me. Later, I wrote and he congratulated me. When I wrote for the magazine, The Bohemian, he said my story was fantastic.  One night after class, I joined him at Ausiello’s, the local tavern across the train station, and made it a personal tradition to wait …

Puzzle (revised November 20, 2008)

There he is, dead, alone Silent and undisturbed And you think that’s how he wanted to leave it. You look above for signs of an angel Taking away his soul As in the image in catechism And you see the image of an angel Cleaning the slate of your soul Showing indelible cracks From your fall Causing eternal pain Causing unmanly tears always retained. Your head bounces on an aluminum locker Spins about unsaid words and questions, Fragments of life locked in forever, Mysteries unsolved Wanting of Faith and Honor. You venture the back of an index finger On his one-day beard Remembering lips prohibited long ago From the freshly shaven cheek Reserved for the good housewife Now watching your gesture And deeper you withdraw Into the heap of puzzle pieces That will never come together To complete your picture.

Departure (a revision of “Ashore”)

The deserted pier floats away In silence And the town shrinks behind Soon a model in a museum Then blurred impasto Destined to decorate memories and The traveling theater of your dreams. For now there is only doubt In the silence of your mind For even the seagulls have left. You navigate on seas now calm then rough Counseled by ghosts and gods Against pirates jealous of your light purse Guided by the stars Confused by the clouds Siphoned by currents You reach A new port, outside your map Charming you with strange music To set foot on dry land Behind you the horizon Absorbed your history and silenced the voices of the past So far away now That you take a new name.

Autumn

I didn’t see a fallen tree today Or the sun’s trajectory But leaves dropped at the first rain Sunk under wet air On the sidewalk Where my soles warned of slippage Paused and watched Each new drop at the end of a long journey On denuded branches Like a snail following a trace Drawn by the ineluctable force Of gravity To dive, once more, and collide With the fallen leaf Releasing on impact a whiff Bouncing back to my nostril Suddenly aware of the new autumn.

The Story of a Marriage by Andrew Sean Greer

I live on the other side of the bay from San Francisco, so I listen to KALW radio. That’s how I heard his name, and his voice I think. So when I stood in front of his book at Moe’s one Sunday afternoon, an autographed copy, I thought I might be missing something if I stopped at the suggestion of the title: it would be a boring story of some successful marriage by perfect people. I read the first page, and thought this might be good. “We think we know the ones we love.” Okay, whatever, it’s still a happy marriage story. “Our husbands, our wives. We know them — we are them, sometimes; when separated at a party we find ourselves voicing their opinions their taste in food or books, telling an anecdote that never happened to us but happened to them.” I was ready to put it back on the shelf. I think I did. I took a walk to the literary remainders, you know, the $6 Everyman Library classic that you’ll get …

On Chesil Beach

On Chesil Beach: A Novel by Ian McEwan I love it, first because I could read it in two seatings (big novels are, how can I put it, intimidating, and lose me in the middle). OK, seriously: this is the second McEwan that I read (the other was Saturday), and every time I am enchanted by his craft, i.e. the way he forms sentences that flow and go back deep in the train of thought of his characters to tell you how they ever got where they are now. So, would anyone say, how can he keep you reading this story about the failure to have sex on the night of one’s honeymoon? For one, it talks about a huge myth, the one that makes people hang soiled sheets at the honeymooners’ window in Sicily. While reading it, I thought, “shouldn’t they just relax about it and talk, maybe see a counselor?” And that is what people don’t do. People assume they’re deficient. They build tension on trifles just because Love was suddenly distilled to …